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Experience the Minnesota Ballet School Summer Intensive Program, offering extensive training in Russian classical ballet technique (Vaganova syllabus) and skill development. Our Intensive Camp places a strong emphasis on ballet technique while incorporating supplementary classes in character, pointe, variations, modern, men’s, partnering, and aerial ballet. Program will feature world-renowned guest teachers alongside our exceptional MBS faculty throughout the intensive.
2-Week Summer Intensive Camps
Open for male and female students ages 9+
Camp 1: June 16– June 27, 2025 | Camp 2: July 7-18, 2025
9am-1pm
Ballet technique, Pointe technique & Repertoire. Dancers will learn variations from classical ballets such as “Sleeping Beauty” “Giselle”, “Corsair” and many more.
2pm-4pm Students will be continuing classes such as Contemporary and Aerial Ballet, Character dance and Partnering.
Partnering classes will be available depending on the number of male attendees.
WORLD-RENOWNED FACULTY
The program culminates with a showing in the Minnesota Ballet School studio on Friday, June 27 and July 18.
Register early and save!
Receive $250 off your Summer Intensive registration when you attend the Audition/Master Class and complete your registration
by February 2.
Exercises to Include:
Additional Features:
Submission Deadline:
Video Audition Details:
Veronika Part, born in St. Petersburg, Russia in 1978, is a celebrated ballet dancer with a career spanning decades. Her journey in the arts commenced with gymnastics before she transitioned to ballet at the renowned Vaganova Ballet Academy in 1988. Graduating in 1996, she swiftly rose to prominence, joining the prestigious Mariinsky (Kirov) Ballet and achieving the rank of soloist in 1998.
During her tenure with the Kirov Ballet, Part showcased her exceptional talent across a diverse repertoire, embodying iconic roles such as Nikiya in "La Bayadère," the Queen of the Dryads in "Don Quixote," and Odette-Odile in "Swan Lake." She also displayed her versatility through performances in works by acclaimed choreographers George Balanchine and John Neumeier, earning accolades such as the prestigious BALTIKA Prize in 1999.
In August 2002, Part embarked on a new chapter, joining the American Ballet Theatre as a Soloist. Over the years, she ascended to the rank of Principal in May 2009, leaving an indelible mark with her captivating performances. Her repertoire with ABT spanned a wide range of roles, from classical to contemporary works, highlighting her artistry and versatility on stage.
Throughout her illustrious career, Part has graced stages worldwide, captivating audiences with her beauty and artistry.
In July 2017, she retired from the American Ballet Theatre, yet her passion for dance persists as she continues to perform, enchanting audiences with her timeless elegance and grace. Additionally, she serves as a judge for esteemed competitions such as the Youth America Grand Prix and California Dance Classic, contributing her expertise to nurture the next generation of ballet talent.
Lucia Erickson, a Soloist with Philadelphia Ballet, is celebrated for her expressive artistry, refined technique, and commanding stage presence. Originally from Minnetonka, Minnesota, she began her ballet training at the age of three at the Academy of Russian Ballet (now Minnesota Ballet Theatre & School) in Eden Prairie, under the direction of Svetlana Bak-Gavrilova and Kirill Bak-Stepanoff.
Her dedication and talent led her to attend prestigious summer intensives at Minnesota Dance Theater, Marat Daukayev School of Ballet, The Rock School, the School of Philadelphia Ballet, and the School of American Ballet. At 16, she relocated to Philadelphia to train full-time at the School of Philadelphia Ballet.
Lucia joined Philadelphia Ballet II for the 2018–2019 season, quickly rising through the ranks. She was promoted to the Corps de Ballet in 2019, to Demi Soloist in 2020, and eventually to Soloist. Her repertoire includes standout roles in Don Quixote (Cupid, Flower Girl), George Balanchine’s The Nutcracker® (Dew Drop, Lead Marzipan), La Bayadère (Shades Pas de Trois), and Divertimento No. 15 (Soloist), as well as contemporary works such as Juliano Nunes’ Connection and Twyla Tharp’s In the Upper Room.
Outside of ballet, Lucia is pursuing academic studies at the Community College of Philadelphia and studying Italian. She continues to inspire audiences with her dynamic performances and deep commitment to the art of ballet.
Originally from Moscow, Russia, Misha Tchoupakov, with an extensive career spanning the Bolshoi Ballet, Colorado Ballet, Sarasota Ballet, Los Angeles Classical Ballet, Vienna State Opera Ballet, and San Francisco Opera Ballet, holds an M.F.A. in Dance Pedagogy and Choreography from the Moscow State Institute of Choreography. His rich teaching experience includes prestigious institutions worldwide such as the Royal Ballet School, University of Utah Department of Ballet, and currently, the University of North Carolina School of Dance. As the Rehearsal Director for YAGP in New York, he continues to be an internationally sought-after guest teacher, sharing his expertise globally.
Jennifer L. Bennett graduated from Kirov Academy of Ballet, Washington D.C. where She studied under instruction Alla Sizova – Prima Assoluta Ballerina Mariinsky (Kirov) Ballet. As apprentice Jennifer tour across of United State with Kirov Ballet National Nutcracker. After graduation She was soon promoted to Artistic Director Ballet Petite and Youth Performing Arts School, Bethesda, Maryland.
2008-2012 Jennifer become a Principle Dancer with Ballet Minnesota, Saint Paul, Minnesota. Performance roles include Beethoven’s 9th symphony, Beethoven’s 5th Symphony, Gershwin’s Rhapsody in Blue, Mozart’s 40th Symphony, The Nutcracker, Swan Lake, La Bayadere and Don Quixote.
2011-15 Mrs. Bennett start teach in Classical Ballet Academy in St. Paul MN
2015- Present She is full time faculty member and sole ballet teacher for competitive lines at Studio 4 Dance, Burnsville, Minnesota