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Svetlana Bak-Gavrilova is the Co-Founder and Artistic Director of Minnesota Ballet School and Minnesota Ballet Theatre. A graduate of the world-renowned Vaganova Academy of Russian Ballet in St. Petersburg, Russia, Svetlana brings decades of professional performance experience and classical ballet expertise to her teaching and artistic leadership.
Svetlana completed eight years of intensive professional training at the Vaganova Academy, studying Classical Ballet, Pointe, Variations, Pas de Deux, Character Dance, Historical Dance, Ballet History, Music History, and related arts. She graduated with honors in 1992 under the guidance of distinguished ballet masters, including Alla Sizova and Nikolai Serebrennikov.
Following her graduation, Svetlana enjoyed a successful international career as a Soloist Ballet Dancer with the Mikhailovsky State Opera and Ballet Theatre in St. Petersburg, Russia, performing throughout Europe. Her repertoire included leading roles such as Maria in The Fountain of Bakhchisarai, Diamond Fairy in The Sleeping Beauty, and the Sugar Plum Fairy and Snow Queen in The Nutcracker, among many others.
After moving to the United States, Svetlana continued her artistic career with Ballet Minnesota from 1998–2000. In 2001, she co-founded the Academy of Russian Ballet in Minnesota, where she served as a faculty member and artistic leader. Since 2018, she has continued her mission as Co-Founder and Artistic Director of Minnesota Ballet School and Minnesota Ballet Theatre.
As a choreographer and artistic director, Svetlana has created original productions including Great Halloween Adventure, Peter and the Wolf, and Carnival of the Animals, while also staging and restaging classical works such as Les Sylphides, Le Corsaire, Paquita, Swan Lake, and The Nutcracker.
Through her teaching, choreography, and mentorship, Svetlana continues to preserve the traditions of classical Russian ballet while inspiring the next generation of dancers.
Kirill Bak-Stepanoff is the Co-Founder and Ballet Master of Minnesota Ballet School and Minnesota Ballet Theatre. A graduate of the prestigious Vaganova Academy of Russian Ballet in St. Petersburg, Russia, Kirill brings extensive professional stage experience, deep knowledge of classical ballet technique, and decades of teaching expertise to his students.
Kirill trained at the Vaganova Academy under the renowned ballet master Vladlen Semenov, former Principal Dancer of the Mariinsky Theatre and distinguished teacher associated with American Ballet Theatre. He graduated in 1985 and began his professional career with Boris Eifman Ballet Theatre, performing solo roles before joining the Mikhailovsky State Opera and Ballet Theatre, where he toured internationally.
From 1998–2000, Kirill performed as a Principal Dancer with Ballet Minnesota. In 2001, he co-founded the Academy of Russian Ballet in Minnesota, serving as a Master Teacher and helping establish a strong foundation of classical ballet training in the region. Since 2018, he has continued this work as Co-Founder and Ballet Master of Minnesota Ballet School and as an Artistic Director of Minnesota Ballet Theatre.
Kirill has choreographed and staged numerous original works, including Great Halloween Adventure, Peter and the Wolf, and Carnival of the Animals, as well as classical repertoire including The Nutcracker and La Bayadère. He also creates and coaches solo and group variations for students preparing for ballet competitions and advanced training opportunities.
Dedicated to preserving the Vaganova tradition, Kirill mentors dancers through disciplined training, refined technique, and a deep understanding of classical ballet artistry.

Matilda Bak is a graduate and alumna of Minnesota Ballet School, where she received her classical ballet training in the Vaganova tradition. As a former student of the school, Matilda brings a deep understanding of the Minnesota Ballet School curriculum and a passion for sharing her knowledge with young dancers.
Following her training at Minnesota Ballet School, Matilda continued her professional development through advanced training opportunities with professional ballet organizations, including Jacobson Ballet and Mikhailovsky Theatre, where she participated in company classes and further developed her classical technique and artistry.
Matilda also trained with New Orleans Ballet Theatre before joining Richmond Ballet as a Trainee, where she spent two years in a professional company environment, refining her technique, performance skills, and understanding of professional ballet standards.
Today, Matilda shares her experience and passion for ballet as an instructor at Minnesota Ballet School. She works with students to develop strong technical foundations, musicality, confidence, and a lifelong appreciation for classical ballet.

Mariah Schilling is a Contemporary Ballet Instructor at Minnesota Ballet School, where she brings her passion for movement, creativity, and artistic expression to dancers of all ages and levels.
With a strong foundation in dance training, Mariah focuses on helping students develop versatility, musicality, confidence, and individuality through contemporary movement. Her teaching approach encourages dancers to explore new ways of moving while maintaining the strength, discipline, and technical foundation developed through classical ballet training.
At Minnesota Ballet School, Mariah works with students to expand their artistic range by combining contemporary techniques with classical ballet principles. Through choreography, improvisation, and dynamic movement exploration, she guides dancers in developing both technical ability and personal artistry.
Mariah is dedicated to creating an inspiring and supportive environment where students can grow as dancers, discover their unique artistic voice, and build the skills needed for today’s diverse dance world.

Taylor Reemts is a dedicated and passionate ballet instructor and alumna of Minnesota Ballet School. She received her classical ballet training at the Academy of Russian Ballet in Minnesota, where she studied under the Vaganova Method and developed a strong foundation in classical technique, artistry, and performance.
Taylor joined Minnesota Ballet School in 2018 and has become an important member of the faculty. She currently teaches Pre-Ballet, Ballet 1, and Adult Ballet classes, inspiring students of all ages through her nurturing, patient, and engaging teaching approach. Taylor is passionate about helping dancers build strong technical foundations, confidence, and a lifelong appreciation for ballet.
As a performer, Taylor has appeared in numerous Minnesota Ballet Theatre productions, including Paquita, Peter and the Wolf, Carnival of the Animals, and other classical and contemporary works. Through her experience on stage, she brings valuable insight into musicality, artistry, and performance quality to her students.
Taylor continues to share her love of ballet by creating a positive and encouraging environment where dancers can grow, develop their skills, and discover the joy of dance.

Veronika Part is an internationally acclaimed ballet artist and guest master teacher at Minnesota Ballet School. Recognized for her extraordinary artistry, technical excellence, and expressive depth, she brings her extensive professional experience from the world’s leading ballet stages to the next generation of dancers.
Born in St. Petersburg, Russia, Veronika began her artistic training at the Vaganova Ballet Academy, graduating in 1996. She joined the legendary Mariinsky Ballet (Kirov Ballet), where she quickly rose to the rank of soloist and performed a wide range of classical and contemporary repertoire. Her celebrated roles include Nikiya in La Bayadère, Odette-Odile in Swan Lake, and the Queen of the Dryads in Don Quixote, along with works by renowned choreographers such as George Balanchine and John Neumeier.
In 2002, Veronika joined American Ballet Theatre, where she became a Principal Dancer and performed leading roles throughout the company’s international seasons. Known for her lyrical artistry, dramatic presence, and refined classical technique, she has been admired by audiences and critics worldwide.
As a master teacher and coach, Veronika shares her knowledge of classical ballet technique, artistry, and performance preparation with aspiring dancers. Her dedication to developing strong, expressive artists makes her an invaluable mentor for students pursuing advanced ballet training.

Misha Tchoupakov is an internationally recognized ballet master, teacher, and former professional dancer whose career spans some of the world’s most respected ballet institutions. As a guest master teacher at Minnesota Ballet School, he shares his extensive knowledge of classical ballet technique, artistry, and performance with aspiring dancers.
Born and raised in Moscow, Russia, Misha trained at the prestigious Bolshoi Ballet Academy, where he developed a strong foundation in the Russian classical ballet tradition. He later performed with the legendary Bolshoi Ballet in Moscow, as well as with leading companies including Vienna State Opera Ballet, Colorado Ballet, Sarasota Ballet of Florida, Los Angeles Classical Ballet, and San Francisco Opera Ballet.
Beyond his performing career, Misha has become one of the most respected ballet educators internationally. He has taught at renowned institutions including the Royal Ballet School, Elmhurst School for Dance in association with Birmingham Royal Ballet, English National Ballet School, and other leading ballet programs worldwide. He currently serves on the faculty of the University of North Carolina School of the Arts and continues his work as a master teacher, rehearsal director, and judge for Youth America Grand Prix.
Known for his deep understanding of classical technique, attention to detail, and ability to inspire dancers, Misha brings generations of ballet tradition into the studio. His teaching emphasizes strong foundations, musicality, artistry, and the development of each dancer’s individual potential.

Alexei Moskalenko is an internationally recognized ballet master, educator, and former professional dancer. As a guest master teacher at Minnesota Ballet School, he brings decades of experience from the world of classical ballet, competition coaching, and professional dance education.
Alexei is a graduate of the prestigious Bolshoi Ballet Academy in Moscow, Russia, where he studied under distinguished teachers including Maxim Martirosian and Alexander Bondarenko. He later continued his studies in ballet pedagogy and choreography, developing a deep understanding of classical training and the development of young dancers.
During his professional career, Alexei performed internationally with leading companies, including Bolshoi Ballet Grigorovich and Moscow Ballet, before moving to the United States, where he continued his career as a principal dancer. After transitioning from the stage to education, he dedicated himself to teaching, coaching, and mentoring dancers throughout the United States and internationally.
For more than two decades, Alexei has been closely involved with Youth America Grand Prix (YAGP), serving as a judge, master teacher, rehearsal director, tour director, and Associate Artistic Director. Through his work with YAGP, he has guided and evaluated thousands of young dancers from around the world and helped prepare students for successful paths in ballet education and professional careers.
Known for his attention to detail, strong technical foundation, and commitment to the Russian classical ballet tradition, Alexei inspires dancers to develop confidence, artistry, and excellence in their training.

Natalia Bashkatova is an internationally recognized ballet artist, master teacher, coach, and YAGP Judge & Assistant Artistic Director. As a guest master teacher at Minnesota Ballet School, she brings more than three decades of professional experience, artistic excellence, and deep knowledge of the Russian classical ballet tradition to young dancers.
Born in Russia, Natalia trained at the prestigious Bolshoi Ballet Academy and Bolshoi Ballet University in Moscow, where she developed her artistry and technical foundation under the guidance of renowned ballet masters. From 1989 to 1994, she was a Principal Dancer with the Bolshoi Theatre Grigorovich Ballet, performing leading roles in the classical repertoire, including Aurora in The Sleeping Beauty, Kitri in Don Quixote, Swanhilda in Coppélia, and Odette/Odile in Swan Lake.
Throughout her distinguished performing career, Natalia toured internationally and received recognition for her artistry, including the title of “Best Ballerina of the Festival” at the 1992 Spoleto International Arts Festival in Italy. She performed on stages throughout Europe, Asia, and beyond, representing the highest traditions of Russian ballet.
After moving to the United States, Natalia expanded her artistic career as a lead dancer with Cirque du Soleil in Las Vegas, performing in the productions Mystère and La Nouba. Her versatility as an artist has allowed her to work across classical ballet, contemporary performance, and international entertainment.
Today, Natalia is dedicated to mentoring the next generation of dancers. As the founder of ARTASTAR Artist Management and Production Company, she supports young artists by creating opportunities for professional growth and performance experience. She is also a highly sought-after master teacher, coach, and judge for Youth America Grand Prix (YAGP), where she shares her expertise in classical ballet training and the Vaganova tradition.
Through her teaching, Natalia inspires dancers to develop strong technique, artistry, confidence, and a deep appreciation for the heritage of classical ballet.

Meelis Pakri is an internationally recognized ballet educator, ballet master, choreographer, and former principal dancer with an exceptional career in classical ballet.
Originally from Estonia, Meelis Pakri is a graduate of the prestigious Vaganova Ballet Academy in St. Petersburg, Russia. Following his graduation, he joined Estonian National Ballet, where he danced as a Principal Dancer and performed leading roles in major classical and contemporary repertoire. During this time, he also began sharing his expertise as an instructor, teaching technique and partnering at the Tallinn State Ballet School.
In 1991, Meelis joined Colorado Ballet as a Principal Dancer, where he spent ten years performing leading roles, including major classical characters such as Albrecht in Giselle, Basilio in Don Quixote, Prince Siegfried in Swan Lake, and roles in works by George Balanchine.
After retiring from the stage, Meelis continued his career as a ballet educator and leader. He served as Ballet Master with Colorado Ballet and Houston Ballet and was a faculty member of The Royal Ballet Upper School in London, England, where he trained and mentored young dancers pursuing professional careers.
Meelis is currently a faculty member at The HARID Conservatory and remains active internationally as a guest teacher, master teacher, and ballet competition judge, including work with Youth America Grand Prix (YAGP).
Known for his deep knowledge of classical technique, attention to detail, and inspiring approach, Meelis Pakri helps dancers develop strong technique, artistry, musicality, and the qualities needed for success in the professional ballet world.
Minnesota Ballet School is honored to welcome Meelis Pakri as a guest master teacher, providing students with the opportunity to learn from one of the most respected educators in the ballet community.

Oliver Halkowich is an internationally recognized ballet artist, choreographer, and educator. As a guest faculty member at Minnesota Ballet School, he brings more than two decades of professional performance experience, creative vision, and expertise in both classical and contemporary ballet.
Oliver began his dance training in South Florida and discovered his passion for ballet at an early age through performances with Miami City Ballet’s original production of The Nutcracker. He continued his training at the San Francisco Ballet School before beginning his professional career with Boston Ballet in 2001.
In 2002, Oliver joined Houston Ballet, where he spent more than 20 seasons developing a distinguished career and rising to the rank of First Soloist. During his time with the company, he performed an extensive repertoire of classical, contemporary, and character roles, collaborating with internationally acclaimed choreographers and artists, including George Balanchine, Jiří Kylián, William Forsythe, and Nacho Duato.
Alongside his performing career, Oliver has established himself as an innovative choreographer. His works have been presented by Houston Ballet, Dance Alive National Ballet, Houston Contemporary Dance Company, Mercury Ensemble, and the Museum of Fine Arts Houston. He co-founded REACH, a platform dedicated to supporting new choreography and arts education, and has created original works recognized for their creativity and emotional depth.
Oliver currently serves as Choreographer and Trainee Program Director at New Orleans Ballet Theatre (NOBT), where he continues to develop new generations of dancers and create original ballet productions, including Romeo + Juliet and Dracula.
Through his teaching and mentorship, Oliver inspires dancers to explore artistry, individuality, and the evolving possibilities of ballet in today’s professional world.

Dmitry Trubchanov is an internationally recognized ballet master, educator, and former principal dancer with a distinguished career spanning leading ballet companies in Russia and the United States. As a guest master teacher at Minnesota Ballet School, he brings exceptional expertise in classical ballet technique, male training, and the Vaganova tradition.
Born in Russia, Dmitry received his professional ballet education at the prestigious Vaganova Academy of Russian Ballet in St. Petersburg. Following graduation, he joined the Mariinsky Theatre (formerly Kirov Ballet), where he performed soloist roles in a wide range of classical repertoire and toured internationally. During his time with the company, he was also invited as a guest performer with Universal Ballet in Seoul, South Korea.
After moving to the United States in the late 1990s, Dmitry joined Cincinnati Ballet, where he enjoyed a remarkable ten-year career as a Principal Dancer. He performed leading roles in classical and contemporary works by internationally acclaimed choreographers and collaborated with legendary ballet artists, including Frederick Franklin, C.B.E., on projects preserving and reconstructing historic ballet repertoire.
Dmitry later joined Colorado Ballet as a Principal Dancer, continuing his distinguished performing career until his retirement from the stage in 2015. Throughout his career, he appeared as a guest artist at major ballet festivals, including the Vail International Ballet Festival, Miami International Ballet Festival, and Fukuoka Ballet Gala Festival in Japan.
Following his performing career, Dmitry dedicated himself to developing the next generation of dancers. He currently serves as Men’s Program Coordinator at Kansas City Ballet School and Associate Director of Kansas City Youth Ballet, where he mentors young dancers through the principles of classical ballet and the Vaganova Method. He is also a member of the judging panel for California Dance Classics.
Known for his precision, discipline, and deep understanding of male classical technique, Dmitry inspires dancers to achieve technical excellence, artistry, and confidence.

Oleg Dedogryuk is an internationally recognized ballet master, choreographer, and educator with more than 25 years of professional ballet experience. As a guest master teacher at Minnesota Ballet School, he brings exceptional knowledge of classical ballet, performance coaching, and the Russian ballet tradition to dancers of all levels.
Born in Russia, Oleg received his professional training at the prestigious Vaganova Academy of Russian Ballet in St. Petersburg. Following his graduation, he enjoyed a distinguished performing career as a Principal Dancer with leading companies including the Bolshoi Ballet Grigorovich Company, Leningrad Modern Ballet Theatre (Eifman Ballet), Moscow Renaissance Ballet, and the National Opera and Ballet Theatre in Novi Sad, Yugoslavia.
Throughout his career, Oleg performed an extensive repertoire of classical and contemporary roles, bringing both technical excellence and artistic depth to the stage. After moving to the United States, he continued his professional career with City Ballet of San Diego and Colorado Ballet, performing as a soloist and sharing his experience with new generations of dancers.
In addition to his performing career, Oleg has established himself as a respected choreographer, artistic director, and ballet educator. He serves as Artistic Director of the Annual Nutcracker of Parker, Rehearsal Director of Ballet Ariel, and faculty member at Denver Academy of Ballet.
Oleg has choreographed and staged numerous full-length productions, including The Nutcracker, Sleeping Beauty, Swan Lake, Don Quixote, Alice in Wonderland, La Fille Mal Gardée, Aladdin, and Snow Queen. His work reflects his deep understanding of classical ballet traditions and his commitment to preserving the artistry and discipline of the Vaganova Method.
Through his teaching and mentorship, Oleg inspires dancers to develop strong technique, musicality, stage presence, and a lifelong appreciation for classical ballet.

Lucia Erickson is a ballet instructor at Minnesota Ballet School and a proud alumna of the school’s classical ballet program. Beginning her training at the age of three with the Academy of Russian Ballet in Minnesota, Lucia developed her foundation in classical ballet under the guidance of experienced instructors and continued to build upon the traditions of the Vaganova Method.
Throughout her training, Lucia attended prestigious summer programs and intensives at institutions including Minnesota Dance Theater, Marat Daukayev School of Ballet, The Rock School, the School of Pennsylvania Ballet, and the School of American Ballet.
At age 16, Lucia moved to Philadelphia to continue her professional training at the School of Pennsylvania Ballet, where she studied with renowned faculty and further developed her classical technique and artistry. During her time there, she performed in major productions including George Balanchine’s The Nutcracker®, Angel Corella’s Swan Lake, and La Fille Mal Gardée, Snow White, and Peter Pan.
Following her training, Lucia joined Pennsylvania Ballet II for the 2018–2019 season and was promoted to Corps de Ballet for the 2019–2020 season. Her performance repertoire included roles such as Cupid and Flower Girl in Don Quixote, Dew Drop and Lead Marzipan in George Balanchine’s The Nutcracker®, and Shades Pas de Trois in La Bayadère.
Returning to Minnesota Ballet School as an instructor, Lucia shares her professional experience, passion for classical ballet, and understanding of the dancer’s journey with the next generation of students. She is dedicated to helping young dancers develop strong technique, confidence, artistry, and a lifelong love of ballet.

Jennifer L. Bennett is a ballet instructor at Minnesota Ballet School with extensive experience as a performer, educator, and mentor. With a strong foundation in the Russian classical ballet tradition, Jennifer brings her professional stage experience and passion for developing young dancers to the classroom.
Jennifer graduated from the prestigious Kirov Academy of Ballet in Washington, D.C., where she studied under the legendary Alla Sizova, Prima Assoluta ballerina of the Mariinsky (Kirov) Ballet. As an apprentice, she toured throughout the United States with the Kirov Ballet National Nutcracker, gaining valuable professional performance experience.
Following her graduation, Jennifer was appointed Artistic Director of Ballet Petite and the Youth Performing Arts School in Bethesda, Maryland, where she began her work as an educator and artistic leader.
From 2008 to 2012, Jennifer performed as a Principal Dancer with Ballet Minnesota in Saint Paul, Minnesota. During her professional career, she performed leading roles in a wide range of classical and contemporary repertoire, including The Nutcracker, Swan Lake, La Bayadère, Don Quixote, and major works featuring music by Beethoven, Gershwin, and Mozart.
Jennifer continued her dedication to ballet education by teaching at Classical Ballet Academy in St. Paul, where she incorporated the principles of the Vaganova Method into her training. Since 2015, she has served as a full-time faculty member and ballet instructor for competitive dancers at Studio 4 Dance in Burnsville, Minnesota.
As an educator, Jennifer is committed to helping dancers build strong technique, artistry, discipline, and confidence while supporting their individual goals in ballet training and performance.

Heather Haugen is an Aerial Ballet Instructor at Minnesota Ballet School, bringing together her expertise in dance, movement conditioning, and aerial performance to create a unique training experience for students.
Heather earned her Bachelor of Arts degree in Dance from Pomona College and has continued her education through specialized movement certifications, including Pilates training through Long Beach Dance Conditioning Academy, as well as GYROTONIC® and GYROKINESIS® certifications.
As a professional aerialist, Heather has performed throughout the United States at a variety of venues, from large-scale events such as the Anaheim Convention Center to intimate contemporary performance spaces including The Southern Theater in Minneapolis. Her diverse performance background allows her to bring creativity, strength, flexibility, and body awareness into her teaching.
At Minnesota Ballet School, Heather combines the principles of classical ballet, influenced by the Vaganova Method, with aerial movement and conditioning techniques. Her classes help students develop strength, coordination, confidence, and artistic expression while exploring the unique possibilities of aerial ballet.
Dedicated to creating a supportive and inspiring environment, Heather encourages dancers to expand their movement abilities while building a strong technical foundation.

Toleu Mukanov is an accomplished ballet artist and educator with extensive international performance experience. As a ballet instructor at Minnesota Ballet School, he brings his strong classical foundation, professional stage experience, and dedication to developing young dancers.
Born in Kazakhstan, Toleu began his ballet training at the Almaty Choreographic College and continued his studies at the Kyrgyzstan Ballet School. Throughout his training and early career, he developed a strong foundation in the Russian classical ballet tradition.
After graduation, Toleu joined Astana Ballet in Kazakhstan and later performed with leading companies including the Kyrgyzstan Opera and Ballet Theatre, Moscow’s Russian Ballet Theatre, and the Russian National Ballet Company. His repertoire includes leading roles such as Basilio in Don Quixote, Ali in Le Corsaire, James in La Sylphide, Franz in Coppélia, the Joker in Swan Lake, the Blue Bird in The Sleeping Beauty, and the Peasant Pas de Deux in Giselle.
Toleu has also received recognition at international ballet competitions, including a Gold Medal at the International Ballet Competition in Crimea, Ukraine, and a Silver Medal at the Almaty Ballet Competition.
After moving to the United States, Toleu continued his professional career with Festival Ballet Providence and Twin Cities Ballet of Minnesota, performing a wide range of classical and contemporary repertoire.
As an educator, Toleu is dedicated to sharing his knowledge of classical ballet technique, artistry, and performance quality with the next generation of dancers. His experience as a professional male dancer provides students with valuable guidance in developing strength, confidence, and stage presence.

Elena Dmitrieva is an accomplished ballet master and educator with more than 25 years of professional performance experience and a deep connection to the traditions of the Vaganova Method. As a guest master teacher at Minnesota Ballet School, she brings generations of Russian ballet knowledge and pedagogical expertise to dancers.
Elena graduated from the prestigious Vaganova Academy of Russian Ballet in St. Petersburg, Russia, in 1977. Following her graduation, she began her professional career with the St. Petersburg Opera Theatre Conservatory, where she became a Principal Ballerina. She was later invited to join the Mikhailovsky State Opera and Ballet Theatre in St. Petersburg, performing a wide range of classical repertoire.
After her performing career, Elena continued her dedication to ballet education by earning a Master’s Degree in Ballet Pedagogy and Choreography from the Vaganova Academy of Russian Ballet in 2001. Through her studies and professional experience, she became part of the next generation of Russian ballet educators preserving the principles and methodology of the renowned Vaganova syllabus.
Throughout her career as a teacher and ballet master, Elena has shared her expertise with dancers internationally, including students and programs in Russia, Japan, and Canada. She currently continues her work as a ballet master and educator, mentoring dancers through refined technique, musicality, artistry, and a deep understanding of classical ballet tradition.
Known for her dedication to excellence and her knowledge of the Vaganova Method, Elena inspires dancers to develop strong foundations and a lifelong appreciation for the art of ballet.

Nikolay Morschakov is an internationally recognized ballet artist, ballet master, choreographer, and educator with an extensive career spanning leading ballet companies in Russia and the United States. As a guest master teacher at Minnesota Ballet School, he brings exceptional performance experience, artistic insight, and a deep understanding of classical ballet technique to dancers.
Nikolay graduated with honors from the Saratov State Choreographic Academy in Russia in 1995. Following graduation, he was selected to join the prestigious Grigorovich Ballet, where he quickly rose to the rank of Principal Dancer. During his distinguished career with the company, he performed many leading roles, including Jean de Brienne in Raymonda, Romeo in Romeo and Juliet, Basilio in Don Quixote, Spartacus and Crassus in Spartacus, Prince Siegfried and Von Rothbart in Swan Lake, Poet in Les Sylphides (Chopiniana), and Cavalier in The Nutcracker.
In 2003, Nikolay joined Sarasota Ballet of Florida as a Principal Dancer, performing roles such as Lieutenant Pinkerton in Madama Butterfly, Armand in Camille, and Alexei in La Boutique Fantasque. Since 2005, he has been a Principal Dancer, Ballet Master, and Choreographer with Dance Alive National Ballet, continuing to contribute both on stage and behind the scenes.
Throughout his career, Nikolay has performed internationally in countries including Russia, the United States, Portugal, Spain, Japan, Italy, Germany, Lebanon, and Turkey. He is also a laureate of the Philip Morris International Ballet Competition, receiving recognition for his artistry and technical excellence.
Today, Nikolay shares his extensive knowledge with the next generation of dancers through teaching, coaching, and choreography. His approach combines strong classical technique, artistic expression, and the discipline required for professional ballet training.

Elena Shokhina is an accomplished ballet educator, artistic director, and ballet mistress with extensive experience in classical ballet training and performance. As a guest master teacher at Minnesota Ballet School, she brings her expertise in the Russian ballet tradition and her dedication to developing young dancers.
Elena graduated from the renowned Vaganova Academy of Russian Ballet in St. Petersburg, Russia, after completing eight years of intensive professional training. Her education at one of the world’s most respected ballet institutions provided her with a strong foundation in classical technique, artistry, and the traditions of the Vaganova Method.
Following her training, Elena enjoyed a successful professional career as a Principal Dancer with both St. Petersburg Ballet in Russia and Nevada Ballet Theatre in the United States. Through her performing career, she gained extensive experience in classical repertoire and developed a deep understanding of stage artistry and performance quality.
In addition to her work as a performer, Elena has dedicated herself to ballet education and artistic leadership. She is the founder and Artistic Director of Brevard Ballet Academy in Florida, where she continues to mentor and inspire young dancers.
Known for her refined classical approach, attention to detail, and commitment to preserving the traditions of Russian ballet training, Elena guides dancers in developing strong technique, musicality, discipline, and artistic confidence.

Alexander Smirnov is an internationally recognized ballet artist, educator, and guest master teacher at Minnesota Ballet School. With an extensive professional career spanning Russia, Europe, and the United States, he brings exceptional knowledge of classical ballet technique, performance artistry, and professional training to dancers.
Alexander graduated from the renowned Vaganova Academy in Perm, Russia, in 1995. Following his graduation, he joined the Saint Petersburg Academic Theater and Saint Petersburg Ballet Theater, where he developed a distinguished career and rose to the rank of Principal Dancer. He later continued his international performing career as a Principal Dancer with Ballet Oficial de la Provincia de Córdoba in Argentina, Ballet Internationale of Indianapolis, and Dance Alive National Ballet in Florida.
After moving to Minnesota, Alexander performed with leading regional ballet organizations, including Minnesota Dance Theatre, Ballet Minnesota, and Continental Ballet, continuing to share his artistry on stage while developing his passion for ballet education.
Alexander is the Co-Founder and Artistic Director of Kansas Ballet Academy, where he dedicates himself to mentoring young dancers and preserving the traditions of classical ballet training. Together with Stephanie Heston, he has helped build a program focused on excellence in ballet education and artistic development.
As a highly sought-after master teacher, Alexander has taught students and professional dancers throughout the United States. He specializes

Dmitry Tuboltsev is an accomplished ballet master, choreographer, and educator with extensive international experience in classical ballet performance and teaching. As a faculty member at Minnesota Ballet School, he brings his knowledge of the Russian ballet tradition, professional stage experience, and expertise in developing dancers.
Dmitry received his Master’s Degree in Teaching and Choreography from the Institute of State Theatrical Arts (GITIS) in Moscow in 1997. Prior to completing his advanced studies, he trained at the prestigious Vaganova Academy of Russian Ballet in St. Petersburg and the Kazakhstan National Ballet Academy, developing a strong foundation in classical ballet technique and pedagogy.
During his distinguished performing career, Dmitry danced as a Principal Dancer with leading companies including the Bolshoi Ballet under the direction of Yuri Grigorovich, Kazakhstan National Ballet, Leningrad Ballet Theatre, Russian Ballet Theatre, Ballet Theatre of Maryland, and Ohio Ballet. He performed internationally in a wide range of classical and contemporary repertoire.
Following his performing career, Dmitry dedicated himself to ballet education and choreography. His extensive training in teaching methodology allows him to guide dancers with a focus on strong technique, musicality, artistry, and professional preparation.
Through his work as a teacher and choreographer, Dmitry continues to share the traditions of Russian classical ballet while inspiring dancers to reach their highest artistic potential.

Vadim Pijicov is an accomplished ballet master, educator, and former principal dancer with extensive international performance experience. As a guest master teacher at Minnesota Ballet School, he brings his knowledge of classical ballet technique, stage performance, and the Russian ballet tradition to dancers.
Vadim received his professional ballet education at the prestigious Vaganova Academy of Russian Ballet in St. Petersburg, Russia. Following his graduation, he began a successful performing career as a Principal Dancer with the National Academic Theatre of Opera and Ballet of the Republic of Moldova.
Throughout his professional career, Vadim performed internationally, including as a Principal Dancer with the Cozi/Shtefanescu Ballet Company in Reggio Emilia, Italy, and as a Soloist with Ballet Internationale of Indianapolis, Indiana.
With extensive experience both on stage and in the studio, Vadim is dedicated to sharing his knowledge of classical ballet, artistry, and performance quality with the next generation of dancers. His training and professional background reflect the traditions of the Russian ballet school and its emphasis on strong technique, discipline, and artistic development.

Marina Osipova, Ph.D., is an internationally recognized ballet educator, choreographer, and specialist in classical ballet methodology. As a guest master teacher at Minnesota Ballet School, she brings exceptional knowledge of the Vaganova Method, academic expertise, and decades of experience in professional ballet education.
Marina graduated from the prestigious Vaganova Academy of Russian Ballet in St. Petersburg, Russia, in 1992 with a degree in Ballet Performance. Following her graduation, she performed with the Russian Ballet Company in St. Petersburg and later joined the Mikhailovsky State Opera and Ballet Theatre, where she continued her professional performing career.
In 2000, Marina began advanced studies in ballet pedagogy at the Vaganova Academy of Russian Ballet, specializing in the Methodology of Teaching Classical Dance. She completed her postgraduate studies and earned a Ph.D. in Ballet Pedagogy, focusing on the professional preparation of future ballet dancers.
Marina has dedicated her career to advancing classical ballet education. She served on the faculty of the Vaganova Academy of Russian Ballet and later became Head of the Classical Dance Department at the Boris Eifman Dance Academy, where she contributed to the development of young professional dancers.
As a respected educator, methodologist, and mentor, Marina has created educational materials and contributed to the study of classical dance methodology. She continues to inspire dancers through her deep understanding of technique, artistry, and the traditions of the Vaganova Method.
Through her teaching, Marina helps dancers develop strong foundations, refined technique, musicality, and the professional qualities required for advanced ballet training.
If you have questions about the opportunities available to you in our ballet school programs, particularly with our expert ballet instructors trained in the Vaganova method, feel free to send us a message. We will get back to you as soon as possible.
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